Four Copywriting Rules That Can Improve Just About Any Copywriter's Work

I am sitting in the presence of greatness -- the essence of the mind and spirit of Ernest Hemingway.

This blog's Executive Contributor, Jim Van Wyck, recently sent me Hemingway's first style sheet: rules for writing that he was given as a cub reporter at the Kansas City Star.

Here are the rules:

1. Use short sentences.

2. Use short first paragraphs.

3. Use vigorous English.

4. Be positive, not negative.

These rules could also serve as a very valuable checklist, after you've written.

Said Hemmingway about this list: "the best rules I ever learned for the business of writing."

I suspect my friend and colleague Peter Stone would emphatically recommend these rules as well.

David Garfinkel
Publisher, World Copywriting Newsletter

Comments

[Jim]

Hemingway stayed with the Kansas City Star
only 7 months. He wanted to get into the
action of WW1, so he found his way to Italy
and drove a Red Cross Ambulance there.

But he really learned those 4 key style points.

Here's a fuller version of his praise for
the core lessons of the KC Star style sheet.

"Those were the best rules I ever learned for the business of writing. I've never forgotten them. No man with any talent, who feels and writes truly about the thing he is trying to say, can fail to write well if he abides with them."

I hope it inspires you as much as it does me...

Jim

[James Sadler]

Hemingway is a personal favorite of mine. he was a believer in cutting any unnecessary words from his writings, be they fiction or non-fiction. He labored at eliminating adjectives to achieve this clarity. He probably spent more time editing and cutting than he did on the actual writing.

After he finished "The Old Man and the Sea," he wrote his brother, Leichester, telling him that he did not think there was single wasted word in the book. He may be right. It is a lean, powerful tale. So lean that it may well be the only book ever written to have very nearly every scene transposed into the film version. Of, course, Papa oversaw the film script and the actual filming.

However, he may have had a few habits we might want to avoid. He did drink heavily, which probably contributed to the severe depression he suffered in his last years. He was a hopeless wonmanizer. He married four times. Since he commited suicide at age 60, he basically was trading in a wife every ten years or so of his adult life.

Oddly, I think some of his best writing came out after his death, e.g., "Island in the Stream" and "A Moveable Feast." Then again, "True at First Light" was pretty bad, there's probably a reason why he never published it during his lifetime. He probably could have entered parts of it in the annual "Bad Hemingway" contest.

[Peter Stone]

Hi David, Jim and James.

Yes, yes, yes. I agree, emphatically.

Best regards,
Peter

[Derek Andrews]

Is 'vigorous English' the same as 'active voice'?

[David Garfinkel]

It's more than just active voice.

It's muscular, forceful. Vigorous English comes from passion, focus and intention. It's the difference between putting in a good effort and TRYING to move a boulder... and actually sweating, grunting, straining your muscles to the point of exhaustion... and MOVING the freaking thing! :)

[Alex Biddle]

"Then again, "True at First Light" was pretty bad, there's probably a reason why he never published it during his lifetime."

Possibly because it was edited by his son; Hemingway may have cut it to a much leaner book. However it gives you an idea of the nostalgia he felt when looking back at previous memories from "Green Hills of Africa".

[Richard Atkinson]

Hemingway is one of my favorite writers. I love his writing particularly in 'The Torrents of Spring' and 'For Whom The Bells Tolls'. He had a way of getting every ounce out of writing and life. As much as possible, I follow his example. The more clearly you edit, the more you create great writing. The more clearly you choose, the more you create a great life.